Mural Intervention : Grenoble Street Art Fest 2019, France

Saturday, July 6th, 2019

Progress shot of ‘In Addition’, 2019 by juliiea.

Acrylic polymer paint and aerosol on primed cement wall and staircase/chimney. 4 stories with varoius surfaces, roughly 2,800 sq ft.

40 Rue des Mathématiques, University Grenoble-Alpes in Saint-Martin-d’Hères, France.

In coordination with Jerome Catz of Spacejunk, Street Art Fest Grenoble Alpes and the Grenoble-Alpes University.

VIEW FINAL SHOTS HERE

Mural Intervention: Renaud-Bray | ARCHAMBAULT, Montreal

Tuesday, October 30th, 2018

 

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A post shared by Augustine Kofie (@keepdrafting) on

Title: Story line

 

Client: Renaud-Bray | ARCHAMBAULT

 

Interior lobby mural intervention, Fall 2018

 

Coordinator: Louis-Nicolas Coupal of ARTGANG

 

Location: Renaud-Bray ARCHAMBAULT Headquarters, Montreal Quebec

 

Details: Acrylic polymer on drywall. 100’w x 6’h.

 

VIEW PROJECT DETAILS HERE

Mural Intervention: Los Angeles Offices of CBRE | Film by FORM Follows FUNCTION

Monday, November 25th, 2013

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KOFIE @CBRE documented by FORM follows FUNCTION

 

In the Spring of 2013 I was approached by CBRE & Gensler to create a mural for their newly acquired 400 South Hope office space. Though they purchased the entire building, the top 2 floors of the 26 story high rise would be home to their main Los Angeles Headquarters. After many meetings and litigations the project began in the mid summer during mid construction of the space. 2 weeks and some 20 gallons of acrylic later the mural was completed. This would mark my largest privately contracted indoor mural and a milestone in my public display catalogue. Many thanks FORM Follows FUNCTION for the documentation, Lew Horne, Nary La, Gensler and my 2 assistants Michael ‘Puede’ Hernandez & Ixchel Lara [complete credits here].

 

 

Augustine Kofie: LA’s own brings his craft to CBRE by Amy Dittoe

 

Against the backdrop of CBRE’s new space is a mural that symbolizes the company’s transition to a new way of working. It’s complex and thought-provoking, challenging the traditional muted colors and right angles of yesterday’s office. It redefines the 25th floor as something beyond a collection of workstations and conferences rooms. It’s a place we go to be inspired.

 

The piece was created by Augustine Kofie, an LA-based artist with a history of defying convention. He’s dabbled in everything from t-shirt design to fine art, constantly experimenting and refusing to identify with just one artistic medium. “I’m a mixed kid who does mixed media,” he says. “I’m a fine artist with a foundation in graffiti arts. It’s the core of it. It’s why I do art. I didn’t study it; I learned it by trial and error, by sweat and tears.”

 

Deeply rooted in its LA identity, the piece is a system of colors and angles that communicates an aura of renewal and progress. It’s a reflection of both CBRE and downtown LA, two entities in the midst of profound reinvention.

 

Art and real estate services aren’t often mentioned in the same breath, but at 400 South Hope the two have combined to make something truly original. In seeking a complete overhaul to its traditional ways of working, CBRE found inspiration in Kofie’s work. And while he doesn’t always take on commercial projects, Kofie noticed something genuine in CBRE’s commitment to progress.

 

“I liked the way you guys approach me,” he said. “I like the energy. And this is serious; this is a new space. It’s for the employees. I like all those factors.” Kofie agreed to the two-week project and collaborated with senior management. The result is a timeless blend of earthy and bold tones, masculine angles tangled with feminine arcs. “I do paint subconsciously,” he said. “A few turns in one area changes the dynamic of the piece.”

It’s a complicated balance that is reminiscent of Kofie himself. Growing up in LA, he experimented with countless artistic media and tools. He can’t remember a time when he didn’t consider himself an artist.

 

Kofie’s partially credits his mother for his inclinations; a former art student at UCLA, she held on to her passion while she raised a man who would eventually become world-renowned for his work. “I took over this career that my mom was originally supposed to do,” he said. Rather than photographs, the majority of Kofie’s childhood likenesses are captured in a sketch. His mother would often draw him as he slept.

 

In contrast, Kofie’s father had more mechanical leanings combined with an entrepreneurial spirit. “My father was always independent,” Kofie said. “He never worked for anyone.” A talented artist who explores unorthodox media and exercises a keen sense of business, a combination of Scottish, Irish, German, African American and Choctaw Indian heritage, Kofie is a living narrative of the forces that combined to create him.

 

Now, CBRE has a piece of that shared journey. The downtown LA mural is most appreciated in context, a celebration of an idea and the visionaries who brought it to life. It’s a story of progress, diversity, balance and the will to break with convention.

 

And it’s a reminder that those who get to the future first are the ones that embrace change, rather than fighting the inevitable. That’s the story not only of CBRE, but of Los Angeles as well. “LA is constantly in redevelopment,” Kofie said. “It’s never going to settle. It’s always going to be reevaluating itself and repositioning itself.”

 

 

More:

+ CBRE journey to a new way of thinking

+ LA DT News: Does a New Downtown Office Design Mean the Death of the Cubicle?

+ FORM Follows FUNCTION post 

 

 

Sowat & Kofie | The Mausolée | Paris, France

Monday, May 27th, 2013

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‘Under The Influence’

Sowat & Kofie

Spring 2013

The Mausolée

Photos: Nibor Reiluos

 

FULL Shot here

 

My visit to Paris for my California Soul Exhibition included a few special side projects with some select Parisian artists, among whom Sowat of Da Mental Vapors, a long time supporter of one of my prime LA crews UTI (Under The Influence). For the occasion I was given the guided tour and allowed to paint in the now infamous Mausolée, a supermarket left abandoned in a Parisian suburb. Here is a link of photographs taken by Nibor Reiluos documenting the entire intervention of us in an atypical environment.

 

More on Nibor Reiluos here

A beautiful time-lapse of the Mausolee project here

Circulations in an abandoned train factory: East Boston, Mass

Sunday, January 2nd, 2011

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Spray-paint on distressed brick & cement.

Abandoned train factory in East Boston, Massachusetts.

Winter/ December 2010

 

Photo Credit: HeatherMcgrath

 

Another shot on my Flickr

Other Photos on Flickr from my Massachusetts trip 

Dublab Studios interior Mural, Los Angeles

Thursday, September 10th, 2009

kd-dublabstudio.jpgI was blessed to paint on one of the DUBLAB recording studio walls in the early summer of 2009. I knew that a desk, computer and mixing board were going to be posted in my particular wall, so I worked out a design that I felt was according. Dusted ochras, burnt siennas, oxidized browns and ivory’s were me choice of color here.Dublab is turning 10 this year, and to celebrate here is the list of events for October in Los Angeles.

Mural Intervention: The Plant Studio, Downtown LA

Tuesday, July 1st, 2008

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The Plant Studio Mural for Hit & Run

Acrylic & House Paint on primed drywall

Los Angeles, Ca. July 2008

 

 

Brandy Flower  invited me to molest a well sized wall in their first large scale studio appropriately located in Downtown LA.

 


DJ Dusk Memorial Wall with RETNA AWR, Los Angeles

Sunday, July 1st, 2007

kofmodusk-07.jpg2007. Acrylic on Drywall. Private Space. Downtown Los Angeles, CA. Retna AWR on the handstyles which is a 2-Pac quote….“Now of course I want peace on the streets- But realistically painting perfect pictures ain’t never worked- My misery was so deep.” The names in gold read….“DJ Dusk, Verse, Ayer, Kev”... Fallen Soldiers. Much Love to The Captan Family. You can see a shot taken in progress by Theo Jemison HERE.

Pacific Design Center Installation for LA LA LA: Design By Design And Not By Design

Friday, April 4th, 2003

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Mural Installation

Summer 2003

LA LA LA: Design By Design And Not By Design: LA Architecture.

Curated by Perlof/Webster @ The Pacific Design Center, Los Angeles, CA.

 

 

 

Documentary courtesy of LAFCO

 

LA LA LA: Design By Design And Not By Design was a  giant 12,000 square foot installation produced by LAFCO, Perloff/ Webster and Kymaerica at the Pacific Design Center in West Hollywood during WESTWEEK 2003.

 

My mural installation  was to go along with a film aboutthe  Los Angeles homeless polulation, so my flowing shapes represent freeway cement and iron freeway systems. I was still developing the ‘aging’ of my shapes with the use of water & stain at this time, a practice i picked up during odd jobs on fils sets as a scenic painter.

Japan 2002: Flow Clothing mural installation, Odawara

Thursday, April 11th, 2002

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 Flow Clothing Store. Odawara, Japan. 

This was my first gig on my second work trip to Japan. The crew at Flow Clothing all listen to classic American Funk & Soul music, so the request for the mural was Stevie Wonder, James Brown, Sly, Hendrix & George Clinton. The shop was clean, long & pretty narrow so my photos are what they are. That’s Odawara Donjon by the way on the top. The first Odawara Castle was built around 1200 AD. Since then, it had been destroyed & rebuilt several times. The Present day castle is a reconstruction built in 1959 based on the original design. Inside are displayed suits of Japanese armor, tools, weapons and the model from which this reconstruction is based. Inspiration. So savvy.