Print edition for Jonathan LeVine Projects: Innferold-Overwhelm

June 22nd, 2017



24 x 24 inches

4-color Serigraph on 290gsm Coventry rag fine art paper with deckled edge. 

Hand pulled by @Seriopress fine art editions, Pasadena, CA. 

Edition of 100



Photo: Michael Underwood 

I will be releasing my first Serigraph in 3 years this weekend [June24th] with Jonathan LeVine Projects for the group show ‘Multiples of Multiples’.


‘Innerfold-Overwhelm’ is based on my marker techniques sketches, referencing an illustration executed in the last 6 months. Each of the 4 transparencies was hand painted to give the piece a painterly and hands on, illustrated feel. This would be considered my most dense and heavily structured print to date, reflecting a feeling of being engulfed and surrounded. The overwhelming, constant barrage of the unwanted, be it politics, authority overstepping, or just good old general anxiety.



Available exclusively at the ‘Multiples of Multiples’ group show as well as their online store.


‘Multiples of Multiples’ - Group exhibition of prints and editioned work by Ashley Wood, Augustine Kofie, Ben Tolman, Ben Venom, Brett Amory, Dennis McNett, Dylan Egon, Hellbent, JeffSoto, Jeremy Fish, João Ruas, John Jacobs Meyer, Nick Walker & Shepard Fairey. On view from June 24 - July 22, 2017


Jonathan Levine Projects is now located at Mana Contemporary

Suites 415 and 344

888 Newark Avenue

Jersey City, NJ 07306

Open Tuesday through Saturday, 11am to 6pm




Studio and exhibition work archive at

May 24th, 2017


 kd-augustinekofieinfocover.jpg will be the new home of all of my studio and exhibition works as of Summer 2014.


A comprehensive view of my collage, paintings and exhibition exploits, past and present.


Keepdrafting has been the home of all of my creative exploits since 2001 an will remain so, but shall maintain a focus on public works and up to date projects. 


Openspace Gallery at Urban Art Fair | Paris 2017

April 20th, 2017



Tape isolate, 2017

12 x 12 x 1 3/4 inches

Found paper, acrylic, ball point pen and white-out on cradled birch panel

Sealed in archival matte varnish. Finished in satin varnish. 

Framed by artist with found yardsticks.




 Enthusiasm 80, 2017

12 x 12 x 1 3/4 inches

Found paper, acrylic, ball point pen and white-out on cradled birch panel

Sealed in archival matte varnish. Finished in satin varnish. 

Framed by artist with found yardsticks.




[ I will have 20 new 12 x 12 x 1 inch format works as well as some works from my recent Build From memory exhibition on display with Opespace ]



Urban Art Fair | Paris 2017

Le Carreau du Temple

April 20th to 23rd - Opening Wednesday, April 19th 


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Openspace Gallery will be presenting new pieces by myself,  SatOneJan Kaláb, Eric LACAN ,MODE 2 and Franco Fasoli.


About the Fair:

For its second edition, from April 20 to 23, 2017, Urban Art Fair will be gathering around thirty French and international galleries specialized in urban art at « Le Carreau du Temple » in Paris. 

A cycle of screenings (free entrance) around urban art history will take place from the 21st to the 22nd of April in the Auditorium of “Le Carreau du Temple”: from the beginning of the graffiti in NYC to contemporary muralism.

This year and for the first time, the fair will also take place at “L’Espace Commines” with an exhibition called “Cannot be bo(a)rdered” in free access from April 21 until May 7, 2017 and will display an itinerary of outdoor projects.


Carreau du Temple, 20-23 April : Full-fare ticket 15 € / Reduced fare 10 €.

Screenings, 21-22 April: free access, within the limit of available seats.

Espace Commines, 21 April - 7 May, 2017: free access.

More info >




Facebook event page




2nd custom box set for KEEPDRAFTING book with Zero+

April 10th, 2017


I am pleased to share my second custom box edition with Zero+ Publishing.


For availability and all inquiries please contact Kirk at



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Book specifications:

Hardcover - Cloth with paper dust jacket

11.25 x 11.25″ (28.575 x 28.575 cm)

164 pages

100 color plates

200 gsm SPCO matte art paper

Introduction by Rafael Schacter

Edition of 1,000

ISBN 978-1-937222-39-0

Release date: June 2015

Designed by Pedersen Projects, Claremont, California  



Custom constructed HPM wood box:

Technical specifications

Edition: 8 / 2 AP

Custom constructed stained box with a HPM acrylic, screen printed†lid—12.5 x 12.5 x 3.75 inches (31.75 x 31.75 x 9.525 cm)

Vintage measuring stick (one side of the box)



HPM—acrylic, paper and screen print on wood panel framed with vintage yardsticks—10 x 10 x 1 inches (25.4 x 25.4 x 2.54 cm)

Signed/numbered book

$1,500.00 (please write for availability and selection of box lid) 

Solo show: BUILD FROM MEMORY @ Openspace, Paris / Updates

March 17th, 2017


Photo:  François-Xavier Laurent



View the Build From Memory exhibition as well as updated links to reviews via

Solo show: BUILD FROM MEMORY @ Openspace, Paris

February 24th, 2017




Aquatico afterthought

60 x 60 inches, square

Acrylic and spray paint on primed cotton duck canvas.

Finished in satin varnish. 





AUGUSTINE KOFIE Build From Memory [solo show] 

Exhibition from 25 February -1 April, 2017 


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116, boulevard Richard Lenoir 75011 

Paris, France

For any further information or catalogue request : 

+ 33 9 80 66 63 94 

*Soundtrack stream and download HERE


The Openspace Gallery is pleased to announce Build From Memory, the third solo show of the Los Angeles-based artist Augustine Kofie, which work is represented by the gallery since 2013 in France. 

The title chosen for this new exhibition by Augustine Kofie’s showcasing 2016-17 new series of collage, painting and installation speaks to our human ability to acquire knowledge and repetitively apply it to the material world. We are defined by our ability to manipulate nature, and by our experience of being in time. What we learned and remember is essential to what we make. In this way, we make the future out of the past through our present action, through building from memory, reassembling a mutated, partially preserved set of fragments into something new. There is loss in this, but there is gain as well. 

Kofie continues to push and explore technologies and strategies to build up space within his work, and in each series he poses himself a new problem to be solved. Build From Memory began with the challenge of how to produce dynamic movement from a stable, static (horizontal/vertical) foundation. The answer came in the form diagonal “breaks”, perspectival lines that produce volume, protrusion, immersion, and depth in the horizontal-vertical system. It is these breaks that are built from memory and inspire the title of the collection, for they come directly from the 3D technique of traditional letter writing practices such as sign painting or graffiti. “If I draw from muscle memory, without thinking, I build a static foundation and then insert such 3D breaks to produce new shapes and space,” Kofie explains. “3Ds come from an imaginary point of perspective, from multiple points of perspective, multiple memories.” 

This classic compositional element and representational strategy informs both collage and painting. “The collage is my drafting room, constructivist technique. It’s the finding, recovering, prepping—the mosaic, collage, and transformation of the materials. It’s the closest I can come to building a painting, using the material as a color, using paint only to accentuate what is already there.” Each fragment has been salvaged out of the destructiveness of time, each holds a memory, each is a portal onto a moment, each font or graphic or color opening onto a memory path. 

As always, Kofie’s paintings begin in sketch form, but the sketch is not projected or directly copied onto canvas. Position, scale, the relation of shapes, of negative and positive space—all change with the switch in medium. Muscle memory comes in anew—now it is not the embodied knowledge of years of drawing letters bur rather that of painting large public walls that comes into play. “I am loosening up my canvas technique now,” Kofie says, “painting as I would do a wall. The body comes in – it’s a workout – the canvases are done in quick, repeated spurts, in a painting style I learned from street work, so they have a very loose, active energy. But then I always go back for the refinements, moving through brush sizes from large to small—moving from big dirty mini-roller, from raw brush lines, raw spray paint lines, overspray, that is then finessed and cleaned up with the rigger brush. It’s that relationship of gestural freedom and control that always interests me.“ 


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Born in Los Angeles, Augustine Kofie discovered graffiti in the late 80s, immersed in the skate culture that surrounded him. Inspired by the shape and structure of letters, Augustine Kofie tamed them, deconstructing them to then rebuild them, with an unparalleled technical mastery of spatiality. The artist began to exhibit in galleries in 2002, and his 2009 exhibition Vintage Futurism (Zero1 Gallery, L.A) marked a turning point in his career, laying the foundations for his current work. Augustine Kofie develops his mastery of scale and movement in works full of lines and structured shapes. And a vintage feel also pervades his work; from the 60s magazine illustrations he uses for his collages to the salvaged materials he uses as media, through his choice of colours. Augustine Kofie collaborates with American galleries in New York and Detroit, and since 2013 has been represented in France by the Openspace Gallery and the exhibitions’ cycle it has organized on the theme of Graffuturism. Indeed, Augustine Kofie is now considered as one of the leading representatives of this world movement and is thereby renewing the approach to contemporary abstract painting. 




16, boulevard Richard Lenoir 75011 Paris, France 

Wed- Sat ; 2-7 PM

 For any futher information or catalogue request : 

+ 33 9 80 66 63 94 

Contats Owners of the gallery: Nicolas Chenus & Samantha Longhi 

Gallery assistant: Claire Tivelet 

Sales manager: Nicolas Chenus 

Press contact: Samantha Longhi


Group Exhibition: WELCOME TO NEW JERSEY @ Jonathan Levine Gallery

February 12th, 2017





Full shot and detail of 

Modernizing room

24 x 60 x 1 3/4 inches, 2016 

Found paper, ball point pen, acrylic and spray paint on cradled birch panel.

Coated in archival matte varnish. Finished in satin gel medium. 

Framed by artist in mahogany stained pine and found yardsticks.




I will have  2 recent works available for the inaugural relocation exhibition for my NY gallery. Both ‘Modernizing Room & She Problema  are collage works that include vintage ephemera from my travels to Marrakech, Mexico City as well as Paris. VIEW larger images HERE



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Jonathan LeVine Projects Inaugural Exhibition in Jersey City at Mana Contemporary



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February 18 - March 18, 2017

Opening reception Saturday, February 18, 6-8 pm

888 Newark Ave, Jersey City,

New Jersey 07306



Group exhibition featuring Adam Wallacavage, AJ Fosik, Alessandro Gallo, Alexis Diaz, Andy Kehoe, Ashley Wood, Augustine Kofie, Beth Cavener, Camille Rose Garcia, Carlos Ramirez, Chloe Early, Cryptik, Dan Witz, Diego Gravinese, Dylan Egon, Eloy Morales, Erik Jones, EVOL, Gary Taxali, Handiedan, Haroshi, Hush, Jeff Soto, Jim Houser, Joel Rea, John Jacobsmeyer, Jorg Heikhaus, Josh Agle (Shag), Kazuki Takamatsu, Mab Graves, Martin Wittfooth, Mary Iverson, Matt Leines, Matthew Grabelsky, Michael Reeder, Miss Van, Nick Walker, Nychos, Phil Hale, Ron English, Shepard Fairey, Tara McPherson & Tristan Eaton



News on the recent relocation of Jonathan LeVine Gallery 

FBook event page

Group Exhibition: RESET at Athen B. Gallery, Oakland

January 4th, 2017


Magnetic quality overcast, 2016

36.5 x 36.5 x 1 3/4 inches

Found pressboard, acrylic, pencil, ball point pen, white-out & screen-print  on cradled birch panel.

Sealed in archival matte varnish. Finished in satin gel medium. 

Framed by artist in mahogany stained pine and found yardsticks.




Glendorafied System, 2016

24 x 24 x 1 3/4 inches

Found paper, ball point pen, acrylic and water-based spray paint on cradled birch panel.

Sealed in archival matte varnish. Finished in satin gel medium. 

Framed by artist in mahogany stained pine and found yardsticks.


R E S E T 





Athen B. Gallery is pleased to present “Reset”, a group exhibition coming to Oakland January 14th featuring the works of twelve local, national and international artists. 

Some of the artists in the exhibition, like Augustine Kofie, Dave Kinsey and Duncan Jago, are considered to be veterans in the urban contemporary movement.  They will be hanging alongside emerging artists like Aubrey Learner, Christie Yuri Noh and Pakayla Rae. By hand selecting a diverse array of techniques, styles, and aesthetics, we have aimed to make this our most surreal exhibition to date. We’re excited to have Smithe, Pakayla Rae, Kelly Ording, Duncan Jago, Dave Kinsey, Curiot and Augustine Kofie joining us for the first time.  We couldn’t be happier to welcome back Nicolas Romero, Martina Merlini, Jean Nagai and Aubrey Learner back for another exhibition at Athen B. Gallery in Downtown Oakland.

Be sure to join us Saturday, January 14th at 7pm for the opening reception of “Reset”.  We’re conveniently located in Downtown Oakland at 1525 Webster St. just off both 12th and 19th Ss. Bart Stations.  The exhibition will be on view through February 3, 2017.  

To inquire about available works contact

Athen B. Gallery

1525 Webster | Oakland, CA | 94612

Contact |

Hours | Tuesday to Friday 12-6pm, Saturday 11am - 5pm



Gallery Press release

Exhibition view via Instagram 

INSTAGRAFITE coverage of exhibition 





MNI WICONI | Benefit for the Rosebud Camp at Standing Rock

January 4th, 2017



Collisionist antiqua, 2016

24.5 x 24.5 x 1 3/4 inches

Found paper, ball point pen, acrylic and water-based spray paint on cradled birch panel.

Sealed in archival matte varnish. Finished in satin gel medium. 

Framed by artist in mahogany stained pine and found yardsticks.




JANUARY 14TH, 2017

The Tangent Gallery

715 East Milwaukee 

Detroit, MI 48202

100% of the profits sold at the silent auction are going to THE ROSEBUD CAMP in Cannon Ball, North Dakota.

Contact for interest and show PDF


From Curator  Mike Popso:

The controversial Dakota Access Pipeline project continues with harsh winter conditions. Just another reason for us as artists to bring some positivity to Standing Rock’s Sioux tribe. 7,000 people remain on site but were asked to leave by Dec. 5th, 2016  to a “safer” location. That will not be happening according to my friends currently at the camp.

The reason we chose The Rosebud Camp is because Ian Kuali’i visited the camp a few months back and knew this day was coming. They are in dire need of supply for the blizzards that are already taking place. Clothes, food and wood mainly.

ArtshareLA Presents: ABOVE THE STREETS 2016

October 22nd, 2016



The 3rd Annual Above the Streets fundraising event benefitting Art Share L.A. will be held on Thursday, October 27, 2016 6PM – 10:30PM. This year we will honor the 6th Street Bridge Project for contributing to the transformation of Downtown Los Angeles.  And we have the pleasure of highlighting artist/muralist Augustine Kofie.

Augustine’s work will be splashed around the City of Los Angeles through different outdoor media channels: large billboards, digital billboards, bus bench ads, and more!  Using drafting as his inspiration, Augustine’s architectural images align with the many new buildings and changes coming to our city.

Each year, Art Share L.A. serves our community of emerging artists and supports them through their artistic journey.  Last year we shepherded, 350 artists through our gallery and opportunities programs; hosted 4,500 attendees to various events; held 25 gallery shows; 150 musical performances and 50+ readings and poetry events.  Art Share is where you come to discover new talent – Art Lives Here!

 Your sponsorship will ensure Art Share’s ability to continue to support local, emerging artists in their journey of becoming professional artists


Limited Edition 12x 12, 18x 18 and 24×24 inch, Moab Entrada 290 GSM, Cottonrag available for local Los Anggeles pick up only. NO SHIPPING.